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Interpretive Writing Intensive Workshop
Arrive Sunday between 3:00 and 6:00 p.m. on August 5, 2012 All-inclusive REGISTER by 11:59 pm April 15, 2012 and save $200! REGISTER between April 16 and June 30, 2012 and save $125! REGISTER after June 30, 2012 and you still get a great deal! GROUP RATES Airport, lodging, and driving information
Some days, your interpretive writing falls flat and stays there. Every sentence is boring and lackluster. The story you're supposed to tell won't fit where it's supposed to. All the good metaphors have been taken, and all the old ones are clichés. You try to convince yourself that when Tilden said interpretive writing should be "concise, focused, inspirational, and engaging," he really meant one out of four. Sure, you know it's got to be theme-based (but is that a good theme? How do you get a great theme?). And you know all about keeping the word count down (let's see, 275 words divided by 45 seconds, unless it's a really big sign or a fat brochure, and then it's times pi or maybe 1023) and the word length short (two syllables? four?) and about not cramming too many words into a sentence (stand backI have punctuation and I know how to use it!). Maybe you even know the dangers of jargon (noun, from Middle English jargoun, derived from Middle French jargon, akin to gargle; synonyms babble, nonsense) and the dreaded passive phrase. But how do you take that knowledge and weave it into writing that inspires, intrigues, provokes, surprises, delights, and educates? How do you turn it into writing that is powerful, passionate, and persuasive? Interpretive writing is one of the toughest types of writing to do well. It draws from practically every other form and category of writing, from detailed scientific studies to poetry. At its best, it paints memorable images and ideas that connect on profound and emotional levels with the reader, precipitating changes in beliefs and behavior. At its worst, it alienates the very people we are trying to engage. In this workshop, we will explore and practice the
art and craft of interpretive writing. Each day will include writing exercises
to experiment with and practice different approaches to writing. We'll push our
creative envelopes, court the muse, and uncover new talents and skills. We'll
also examine attendee works-in-progress, and each participant will have a half-hour
one-on-one consultation with workshop leader Judy Fort Brenneman. What's covered:
We meet each day beginning promptly at 8:45 a.m. and ending by 4:45 p.m., including Thursday. Space is limited to 15 attendees, and registration is first-come, first-served. What's Included:With ALL Registrations:
4-day workshop; all workshop materials and handouts; one, half-hour individual consulting session; instructor review of one previously submitted writing sample, maximum 5 pages, 12 point type (Times New Roman or similar), double-spaced. Who Should Attend:Interpreters of all experience levels who are involved
or plan to be involved in interpretive writing or editing. When: Where:
Payment and Registration OptionsOnline registration
Register today!
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